I’ve had the kind of run most people don't get in a lifetime, let alone a decade. Ten years alongside Nicola Formichetti, right at the inflection point where he evolved from Fashion Director to Creative Director. Fashion was the anchor, but it dragged us into a dozen different worlds. One day I’m locking down a beauty collab, the next I’m wrestling logistics for a world tour or a massive film set. That decade was a masterclass in survival and flexibility. It taught me one universal truth: regardless of the industry, the chaos, or the constraints—there is always a way to make the vision work.
I'm a Millennial with a Gen-Z forward mindset and a Midwestern-proof reality check. I’ve lived in NYC, LA, and Chicago—which really just means I know how to read and navigate any room on earth. I live in the extremes: I have zero interest in the middle ground. I either want the hole-in-the-wall dive or the Michelin star. I’m just as thrilled finding a $2 vintage Happy Meal toy in a thrift bin as I am handling archive designer. I’m blue-collar at heart, I will always side with the underdog, and I am definitely still awake three hours after I announced I was going to sleep.
Right now, my attention is entirely hijacked by the Creator Economy, in-house entertainment studios, and AI. I’m developing two AI-powered platforms: KNQ, a predictive tool for social media trends, and a proprietary workflow software built to automate the soul-crushing repeatable processes for creators and agencies. I'm here to bridge the brutal gap between digital ecosystems and high-level creative execution. My target? Roles that demand relentless strategy, deep partnership building, and an understanding of how fashion, tech, and entertainment actually bleed into each other.























































